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Come on Pilgrim

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Rolling Stone – the 500 Greatest Albums of All Time (2012)". Archived from the original on 2021-02-01 . Retrieved 2021-02-25. Licensed courtesy of The University of Massachusetts Lowell and WUML 91.5 FM. Mixed live to stereo broadcast, 15 Dec. 1986, on the WJUL radio program Live From the Fallout Shelter. By the time William Bradford died in 1657, he had already expressed anxiety that New England would soon be torn apart by violence. In 1675, Bradford’s predictions came true, in the form of King Philip’s War. (Philip was the English name of Metacomet, the son of Massasoit and leader of the Pokanokets since the early 1660s.) That conflict left some 5,000 inhabitants of New England dead, three quarters of those Native Americans. In terms of percentage of population killed, King Philip’s War was more than twice as costly as the American Civil War and seven times more so than the American Revolution. The Pilgrim Legacy in New England a b Albini, Steve. "They Don't Call Him the Martin Hannett of the '90s For Nothing." Forced Exposure #17. 1991.

a b Frank, Josh; Ganz, Caryn. Fool the World: The Oral History of a Band Called Pixies. Virgin Books, 2005. ISBN 0-312-34007-9. p. 80 Mervis, Scott (June 8, 2021). "Pixies will play Stage AE in September". Pittsburgh Post-Gazette . Retrieved October 6, 2021. The Boston band debuted in 1988 with "Surfer Rosa," introducing its unique form of quiet-to-loud art-punk and, over the course of a few years, hit the college airwaves with such songs as "Gigantic," "Monkey Gone to Heaven" and "Here Comes Your Man." Melody Maker. "Pixies— Ephemera— Kurt Cobain on Pixies and The Breeders". 4AD. Archived from the original on 2007-04-21 . Retrieved 2007-04-01. As 4AD was an independent label, distribution in the United States was handled by British label Rough Trade Records; however, it failed to chart in either country. Only one single was released, a rerecorded version of " Gigantic", and reached number 93 on the UK Singles Chart. Surfer Rosa was rereleased in the US by Elektra Records in 1992, and in 2005 was certified gold by the Recording Industry Association of America. After attempts to increase his own power by turning the Pilgrims against Massasoit, Squanto died in 1622, while serving as Bradford’s guide on an expedition around Cape Cod.Christgau, Robert (February 1, 2003). "Consumer Guide: The Prelude". The Village Voice. New York. Archived from the original on April 25, 2003 . Retrieved September 5, 2015. Powell, Mike (April 25, 2014). "Pixies: Catalog". Pitchfork. Archived from the original on April 10, 2022 . Retrieved April 25, 2014.

Rolling Stone – the 500 Greatest Albums of All Time (2003)". Archived from the original on 2020-09-23 . Retrieved 2021-02-25. Dolan, Jon (December 2008 – January 2009). "Pixies: Surfer Rosa". Blender. Vol.7, no.11. New York. p.86. Archived from the original on April 21, 2009 . Retrieved September 5, 2015. {{ cite magazine}}: CS1 maint: unfit URL ( link) Azerrad, Michael. Come as You Are: The Story of Nirvana. Doubleday, 1994. ISBN 0-385-47199-8, p. 103–4Frank, Josh; Ganz, Caryn. Fool the World: The Oral History of a Band Called Pixies. Virgin Books, 2005. ISBN 0-312-34007-9. p. 75 The information regarding accolades attributed to Surfer Rosa is adapted from Acclaimedmusic.net. [46] Accolades for Surfer Rosa Publication

Top 50 by Nirvana" [MIXTAPE]". Archived from the original on 18 October 2014 . Retrieved 8 May 2013. In March 1987, Pixies entered Boston's Fort Apache Studios with Fort Apache owner/record producer Gary Smith to record a demo tape. The resulting 17-song cassette, later dubbed " The Purple Tape", eventually found its way to Ivo Watts-Russell, president and co-founder of the influential British record label 4AD. Pixies' manager Ken Goes was also the manager of Throwing Muses, who had become the first American band to sign to 4AD a year earlier. Goes passed Pixies' demo tape on to Watts-Russell, who walked the streets of New York listening to it on his Walkman and "absolutely adored it from day one". [7] Despite initial hesitance to sign the band, seeing as how 4AD had already signed an American band from the same manager, he was convinced to do so by his girlfriend, Deborah Edgeley, a secretary for 4AD. [7] Other tribes, such as the Massachusetts and Narragansetts, were not so well disposed towards European settlers, and Massasoit’s alliance with the Pilgrims disrupted relations among Native American peoples in the region. Over the next decades, relations between settlers and Native Americans deteriorated as the former group occupied more and more land. Other unusual and offbeat subject matter is raised on the album. " Cactus" is narrated by a prison inmate who requests his girlfriend smear her dress with blood and mail it to him. [13] "Gigantic" is about an illicit love affair [21] and borrows from the 1986 film Crimes of the Heart, in which a married woman falls in love with a teenager. Francis was inspired to write "Where Is My Mind?" after scuba diving in the Caribbean. He later said he had "this very small fish trying to chase me. I don't know why—I don't know too much about fish behavior." [22] Release [ edit ] In addition to interpreting and mediating between the colonial leaders and Native American chiefs (including Massasoit, chief of the Pokanoket), Squanto taught the Pilgrims how to plant corn, which became an important crop, as well as where to fish and hunt beaver. In the fall of 1621, the Pilgrims famously shared a harvest feast with the Pokanokets; the meal is now considered the basis for the first Thanksgiving holiday.

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My favourite song on that record is Gigantic. The way Kim [Deal] delivers her vocal… her personality is so strong and her voice is so pretty and distinctive. She has one of the best voices I’ve ever heard. By that I don’t just mean she sings in tune – there is a charisma and her enthusiasm for music comes through in her singing. The best description I could give of it is that it sounds simultaneously like she’s smiling and raising an eyebrow at you when she’s singing. You clearly get a very emotional tone from her. She’s not adopting a persona, she’s just singing as herself. Albini met the band that evening, and they discussed how the next record should sound and be recorded. Albini said that, "[the band and I] were in the studio the next day." [5] Paul Q. Kolderie, who had worked at Fort Apache Studios with Smith, recommended the Boston recording studio Q Division to Albini. [6] This created tension between Smith and Kolderie, and Kolderie later remarked that "Gary almost killed me for the suggestion, he thought I was scheming to get the project." [7] Recording and production [ edit ]

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