Sylvia Kristel: From Emmanuelle to Chabrol

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Condition: Aceptable. Autor: Varios. Editorial: GRUPO ZETA. Fecha Edición: 1979. Materia/s: H2PIFRRT13. Estado: BIEN. Buen estado general. Entre otros articulos incluidos en el numero: Corrupccion en R.T.V.E, feministas un partido para victimas, la ruta de la cocaina. Revista / Publicación.

Richey makes no bones of the fact that 1974’s Julia( Es war nicht die nachigall) made a point of riding the pronounced coattails of Emmanuelle.This despite the reality that this somewhat jumbled entry in the “Bavarian Sex Cycle” of the time was actually filmed before the latter phenomenon.It’s tempting to claim that that accounts for Kristel’s limited screen time, as the actress had yet to explode in popularity at the time of Julia’s production.A more certain claim would be the obviousness in naming the movie after Kristel’s character- her first name only, at that.Her character Julia, however brief her cumulative presence, isa vital and unforgettable part of director Sigi Rothemund’s eighty-eight minute sexually charged coming-of-age vacation film. At the 2008 Cannes Film Festival, Alain Siritzky said he was looking for a new Emmanuelle, with production on the first film scheduled to begin in September. [4] It was announced at the 2011 Cannes Film Festival that Allie Haze (performing under the alias Brittany Joy) had been chosen. [5] The direct-to-video series that starred Allie Haze was titled Emmanuelle Through Time. Her Emmanuelle typecasting image followed her to the United States, where she played Nicole Mallow, a maid who seduces a teenaged boy in the sex comedy Private Lessons (1981). [9] Another mainstream American film appearance was a brief comic turn in the Get Smart revival film The Nude Bomb in 1980.The character of Emmanuelle is also featured in a video game of the same name, released by Coktel Vision in 1989.

A homage to Dutch movie star Sylvia Kristel, to be released as a Hardcover book written by Jeremy Richey, and produced by Cult Epics. Cult Epics have launched an INDIEGOGO Campaign for the book, offering a 4-Disc Blu-ray set of her films previously unreleased on DVD and Blu-ray in 2K Transfers as an Exclusive Perk with a bonus Interview disc. Support and Contribute here https://igg.me/at/sylviakristelbook BLU-RAY & DVD CONTENTS:

After the success of Emmanuelle, she often played roles that capitalized on that sexually provocative image, starring in an adaptation of Lady Chatterley's Lover (1981), and a nudity-filled biographical film of the World War I spy in Mata Hari (1985).

People who have always considered Sylvia as just the erotic star of works like Emmanuelle or Private Lessons have the story wrong. Sylvia Kristel was amongst the greatest and final figures of the much-missed European Art House of the sixties and seventies. That’s the main story my book tells. It’s a celebration of an extremely smart and talented artist and a period in art and popular culture that was unlike any other. As Maria Theresa, Kristel led a cast that included Ursula Andress, Cornel Wilde, Beau Bridges, Rex Harrison and Olivia de Havilland in The Fifth Musketeer (1979). During the shooting, Kristel and Ian McShane, who played the wily minister Fouquet, began a highly publicised, five-year-long affair.During the 1970s, she worked on lesser known films by prominent French directors including Claude Chabrol and Roger Vadim. She also starred next to Joe Dallesandro in Walerian Borowczyk's La Marge (1976), a success at the French box office. Bonus features for Juliaare headlined by Jeremy Richey himself, who provides commentary.Though his delivery can be a tad stilted and his mic could do with a pop filter, he proves to be the easiest listen of the set’s three commentaries.Such accessibility goes a long way in encouraging the viewer to stay with it.Obviously, Richey has done extensive research on all of Kristel’s films; here as he deep-dives on Juliascene by scene, one could be forgiven for assuming his interest centers on this title.He talks with friendly authority about all the talent involved, as well as the film’s context within the “Bavarian Sex Comedy” niche as well as the broader emerging “coming of age sex comedy.”Aside from Richey’s fine commentary, bonuses include a poster & image gallery, as well as Julia’s trailer.