And In The Darkness, Hearts Aglow

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This is a well-made album - it's just not everything I wanted it to be. This is a well-made album - it's just not everything I wanted it to be. And In the Darkness, Hearts Aglow is intricately put together, with Mering mirroring the sentiments of in head-bending arrangements; “God Turn Me Into a Flower” updates the myth of Narcissus and uses Mering’s layered vocals (as well as synth squiggles by her and Daniel Lopatin) to evoke its otherworldly longing, while the finale, “A Given Thing,” finds Mering reflecting on how “sometimes our love is enrapturing/ and other times it’s just unraveling/ in front of me.” Her voice is low in the mix of whooshing synths and deliberate piano chords at times, perhaps indicating her ambivalence toward love—although when she declares her desire to break the fighting-and-reconciling cycle, it soars, carried along by resolve. Thomas, Fred. "And in the Darkness, Hearts Aglow – Weyes Blood". AllMusic. All Media Network . Retrieved November 19, 2022.

The Best Albums of 2022 Ranked". The Line of Best Fit. December 6, 2022 . Retrieved December 6, 2022. Triple A Future Releases". All Access Music Group. Archived from the original on April 4, 2023 . Retrieved April 7, 2023.a b Brown, Helen (November 17, 2022). "Weyes Blood review – And in the Darkness, Hearts Aglow: A beguiling blend of nostalgia and optimism". The Independent . Retrieved November 17, 2022. Bloom, Madison (September 12, 2022). "Weyes Blood Announces Tour and New Album, Shares New Song: Listen". Pitchfork . Retrieved September 14, 2022.

a b Griffin, Louis (November 16, 2022). "Album Review: Weyes Blood - And in the Darkness, Hearts Aglow". DIY . Retrieved November 17, 2022.

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Theissin, Chris (November 16, 2022). "Weyes Blood - And In the Darkness, Hearts Aglow". Under the Radar . Retrieved December 7, 2022. Smyth, David (November 17, 2022). "Weyes Blood: And in the Darkness, Hearts Aglow album review - if this is doom, sign me up". Evening Standard . Retrieved November 17, 2022.

Portuguesecharts.com – Weyes Blood – And in the Darkness, Hearts Aglow". Hung Medien. Retrieved December 15, 2022. Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Weyes Blood (November 18, 2022). "And In The Darkness, Hearts Aglow". Bandcamp . Retrieved November 14, 2022.

a b "And in the Darkness, Hearts Aglow by Weyes Blood". Metacritic. CBS Interactive . Retrieved November 17, 2022. I'm going to be honest, as much as I've tried to listen to this record as a standalone body of work, I simply cannot forget the unimaginably high bar that Weyes Blood has set for herself with Titanic Rising. Offiziellecharts.de – Weyes Blood – And in the Darkness, Hearts Aglow" (in German). GfK Entertainment Charts. Retrieved November 25, 2022. Charts.nz – Weyes Blood – And in the Darkness, Hearts Aglow". Hung Medien. Retrieved December 15, 2022.

On September 12, 2022, Natalie Mering officially announced her fifth studio album And in the Darkness, Hearts Aglow set for release on November 18, 2022, and released its lead single " It's Not Just Me, It's Everybody" the same day. In promotion of the album, she embarked on the In Holy Flux Tour across North America and Europe in 2023. [7] The second single, "Grapevine", followed on October 11, 2022. [8] The song, which takes its title from a stretch of California highway known as "the Grapevine", is inspired by Mering's breakup with a " narcissistic" musician during the COVID-19 pandemic. [9] The third single, "God Turn Me Into a Flower", was released on November 16, 2022. [10] Cush, Andy (November 18, 2022). "Weyes Blood And in the Darkness, Hearts Aglow Album Review | Pitchfork". Pitchfork . Retrieved November 18, 2022. Technological agitation. Narcissism fatigue. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow. And in the Darkness, Hearts Aglow (liner notes). Weyes Blood. Sub Pop. 2022. SP1485. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link)

a b Kemp, Ella (November 15, 2022). "Weyes Blood: inside one of the year's most breathtaking records". NME . Retrieved November 17, 2022. a b "The ARIA Report: Week Commencing 28 November 2022". The ARIA Report. No.1708. Australian Recording Industry Association. November 28, 2022. pp.10, 24. Meanwhile, the obvious vocal comparison is to Karen Carpenter, with whom Mering shares a controlled, velvety melancholy. And, like Carpenter’s music, there’s something curiously unknowable at this album’s centre. Just as it’s never entirely clear if Carpenter was intentionally freighting what was meant to be easy listening with an almost unbearable sadness – whether she was really pouring her own distress into her readings of songs or whether the listener is simply retrospectively projecting their knowledge on to the sound of her voice – it isn’t entirely clear whether everything Mering sings is meant in deadly earnest. When she blithely dismantles the initial optimism of The Worst Is Over – “I think it’s only just begun” – you find yourself wondering if you’re in the presence of a doomsayer or an exceptionally deadpan humorist. It makes And in the Darkness, Hearts Aglow seem more of a puzzle than it first appears – one that’s an unalloyed joy to solve. This week Alexis listened to And in the Darkness, Hearts Aglow received critical acclaim and was supported by four singles: " It's Not Just Me, It's Everybody", "Grapevine", "God Turn Me Into a Flower", and "Children of the Empire". To promote the album, Weyes Blood embarked on the concert tour In Holy Flux Tour in 2023. And in the Darkness, Hearts Aglow opens with the wistful, winsome “It's Not Just Me, It's Everybody,” a song about the interconnectivity of all beings, despite the fraying of society around us. “I was asking a lot of questions while writing these songs. Hyper-isolation kept coming up,” Mering says. “Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal.”