Resistance

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This attitude led Brasillach to become increasingly seduced by the anti-Third Republic views of reactionary professors like Andre Bellessort and later, as a student at the Ecole normale, by the previously mentioned Henri Massis, Maurice Barres, Charles Peguy, and Charles Maurras. By this time he was also fraternizing with other like-minded individuals who would themselves later contribute to Je suis partout, like Georges Blond, Jean Martin, and Paul Gadenne, and visiting salons like the right-wing Rive gauche sponsored by patrons like Annie Jamet. This formula was later repeated in the form of the Nouvelle Droite, which spawned France’s most illustrious current New Right philosopher, Alain de Benoist, who has himself written articles for Bardeche’s journals and in a magazine founded in partnership with Dominique Venner.

and religious observances, a special set of oral traditions and a peculiar manner of initiating its useful members I noticed that too, that the statistics lumped Hispanic perps in with Whites, breaking them down...

LT: If you were stranded on a desert island and you could bring three books with you, which three books would you choose? FS: I wanted to blend the various strands of our political ideology into an all-too-recognizable future dystopia and offer inspiration and hope through the storylines I create. I dilute nothing and offer a “bridge” for those beginning their journey with us to access the sometimes difficult and off-putting philosophical and theoretical texts by the likes of Nietzsche, Heidegger, and Schmitt.

Likewise, other characters, such as Senka the Serbian girl, the members of the Nordic Resistance, and the Latvian, Spanish, Italian, Polish, and Ukrainian underground groups provide a perfect platform and opportunity to describe the wealth of nationalist ideology dispersed across the West. I used the same technique in The Partisan to highlight French thinkers, Rising to shine a light on the Russian Right, and of course Kraal in the case of South Africa. Each deserves our time and respect. Or is it really by mere chance or circumstance? All the poetry of Old Englisc is of the same alliterative verse form as Old High German which lends itself so perfectly to oral performance. Each imbued with certain values has can be seen in the Old High German epic the Hildebrandslied which opens with a meeting between two opposing warriors: The role of the scribes and the clerics in driving Western learning forward cannot be understated. Though it must be said, their zealous adherence to the holy mother church led to a distorted and biased interpretation of the pre-Christian nature religions that had been adhered to by Europeans for centuries prior to the coming of the new faith. Working by blazing braziers in cold stone chambers in their monastic communes, poets like Caedmon, who was writing around 670 AD at the Abbey at Whitby, and Widsith who was composing between 650 – 700 AD, were wedded to this alliterative form and tradition of composition. A style, although pre-Christian in reality, is now intrinsically associated with Christian centres of learning, where they were first written down, the most prominent of which in England were at York and Canterbury. With the Venerable Bede producing his Ecclesiastical History of the English People in the first half of the eighth century in the Northumbrian north, and Alcuin (735 – 804) establishing a school in the court of Charlemagne around 781. Indeed, a further example of pagan themes being copied by earnest clerics, other than the much poured over Beowulf manuscript, is Widsith’s scop who in the character “the far traveller” describes his visits to Germanic kings and tells tales of their generosity, heroic deeds and the legends of their ancestors. So perhaps it is not so difficult to see how cultural transmission took place in so fertile a landscape. For the ancient sarsen megalith overlooking Bluebell Hill in Kent, only a stone throw from Rochester cathedral and allegedly the burial marker for Horsa and sacred to the religious fraternity of today’s Odinic Rite, is located directly adjacent to the Pilgrim Way to Canterbury, made famous by the Middle-English poet Geoffrey Chaucer (1343 – 1400), whose characters are the:I begin Resistance with a quote from Guillaume Faye: “Now is the time for a dissident generation to rise.” I urge every one of us to heed the call. Two days later, he described the conflict as “a human catastrophe unfolding on our very own doorstep” and a “predictable and avoidable conflagration”, writing that “Putin’s troops [are] destroy[ing] the moral high ground the Russian’s [sic] once ‘owned’ in relation to NATO’s seduction of an all too willing Ukraine”. Undimmed and unrelenting, the iron maiden’s brave stand for open discussion and debate about the past has been made even more pertinent in recent months given a recent extension of the draconian spider web of Volksverhetzung laws: a British citizen, Lady Michelle Renouf, was charged for comments she made in February 2018 about the murderous bombing of Dresden at a rally commemorating the victims, held under the shadow of the city’s famous Baroque Lutheran Frauenkirche. Following a trial set for October 2020, these charges could result in a sentence of up to five years.

In ‘Sympathisanten – Unser deutscher Herbst’ a director looks at the history of left-wing terror in Germany. Who were sympathizers and supporters? Great names of the cultural industry have their say. A nation is not an idea only of local extent and individual momentary aggregation; but it is an idea of continuity; Taking Britain as an example, 2020 saw the moment in which the babies born to the indigenous majority became the minority of newborns. So when it comes to peak fighting age between 15 and 25, the Brits will become the minority in their own homeland not in 2060, but in 2040.” During the Cold War period, the European and American far right widely regarded Russia as a military and ideological enemy, often portraying it as a nation under the thrall of Jewish influence and the primary threat on the world stage. The whole work hanging on the premise uttered by Bernard of Clairvaux’s ‘In Praise of the New Knighthood’:

An observation with which I wholeheartedly concur. The author going on to list ‘whistle-blowers’ and ‘individuals in high level jobs who use some of their above average income to help fund nationalist projects’ as examples when anonymity is vital. Yet the focus of the author segues all too rapidly into statements like: In related news, I can't wait to hear about how the 14th century "Red Death" was racist against (... Brasillach penned his Poemes de Fresnes and his political testament, Lettre a un soldat de la classe 60 in a morbid haze of lachrymose cigarette smoke while he awaited his familiar journey down the route d’Orleans to his show-trial for “intellectual crimes.” It was on that fateful final occasion the author was taken to the Montrouge fortress, arriving around thirty minutes past the hour, to find a firing squad of twelve men awaiting him atop a grassy knoll.

Those were the Events that marked my transition, much like Peter Janssen the central protagonist in my novel Resistance, from what is commonly termed a ‘normie’ into a political activist of the Dissident Right. Within a few short years saw I stood in university student elections as a radical right candidate and was denounced as having ‘fascist sympathies’ by the Marxist and Trotskyite wings of the college union. Those accusations placed me front and center in some really controversial and riotous situations.Long before I learned how to read it in its original form, I understood that the Beowulf manuscript was the foundational text of my people: a sort of Nordic Summa Theologica, and a glimpse of what a northern Homer might have produced. It is an epic oral tale of a Swedish hero which, ironically, defines what it means to be English. It is also a quintessentially Anglo-Saxon work of Germanic origin, spoken by warriors with swords gripped firmly in their hands as they sailed up the east-coast estuaries. Their scops stood to recite the poem before war bands who had their minds set on forging a nation: speaking a common language, possessing a literature in which the aspirations of the nation have been espoused, I would certainly encourage some of the young talent I see in our movement to have a go at creating their own poetry, short stories and longer fiction. My only two caveats would be, firstly to learn to be very patient. Our publishing companies are well-meaning and professional but they are not rich multi-nationals and they are run on very tight budgets. Secondly, my own writing is certainly more Louis-Ferdinand Céline than Jean-Paul Sartre but it is also more Albert Camus than Dr. William Pierce, if you get my meaning? His experiences are universal, he is force fed all the negative tropes that all European youth are directly or subliminally subjected to 24/7. Readers will recognize my portrayal of real historical events and my fictional predictions of where such occurrences will lead, be they related to the terrorism of the phony-war we are now living through, the impact of the ongoing Culture Wars, or the insanity of allowing millions of completely unassimilable people into our homelands. People who have proven to be a great financial burden, more frequently than not unemployable and consistently over-represented in the crime statistics. You should do a video on the Tuskegee experiments here in the U.S. in that awful experiment, white...