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Batchelor, Bob (December 2011). Cult Pop Culture: How the Fringe Became Mainstream. ABC-CLIO. p.52. ISBN 978-0-313-35780-0. a b Knapp, Raymond (2 March 2009). The American Musical and the Performance of Personal Identity. Princeton University Press. p. 240. ISBN 978-0-6911-4105-3. Mathijs, Ernest (2008). The cult film reader. Maidenhead, Berkshire: Open University Press/McGraw-Hill Education. ISBN 978-0-335-21923-0.

Peraino, Judith A. (2006). Listening to the sirens: musical technologies of queer identity from Homer to Hedwig. Berkeley: University of California Press. pp. 249–252. ISBN 978-0-5202-1587-0. OCLC 58043161. Harpole, Charles (5 November 1999). History of the American cinema (1sted.). Charles Scribner's Sons. pp.212–213. ISBN 978-0-6848-0463-7. Stewart, Jim (2011). Folsom Street Blues: A Memoir of 1970s SoMa and Leatherfolk in Gay San Francisco. Palm Drive Publishing. p.109. ISBN 978-1-8908-3403-6. National Film Registry Titles 1989–2013". Library of Congress. 20 November 2013. Archived from the original on 19 April 2012 . Retrieved 18 February 2014. Barton, Steve (10 December 2009). "Motion Picture Purgatory: The Room". Dread Central. Archived from the original on 19 June 2017 . Retrieved 16 June 2017.Fox, Ronald (3 April 2013). Hutchins, Loraine; Kaʻahumanu, Lani (eds.). Current Research on Bisexuality. London: Routledge. p.178. ISBN 978-1-136-56963-0. Stewart, Jim (2011). Folsom Street blues: a memoir of 1970s SoMa and leatherfolk in gay San Francisco. San Francisco: Palm Drive Pub. ISBN 978-1-890834-03-6. Caulfield, Keith (27 October 2010). "Sugarland Tops Kings of Leon on Billboard 200". Billboard . Retrieved 17 November 2021. Wood, Jennifer M. (21 October 2014). "11 Things You Didn't Know About The Texas Chainsaw Massacre". Esquire. Archived from the original on 26 January 2018 . Retrieved 24 September 2018. Botto, Louis; Mitchell, Brian Stokes (2002). At This Theatre: 100 Years of Broadway Shows, Stories and Stars. New York; Milwaukee, WI: Applause Theatre & Cinema Books/Playbill. p.33. ISBN 978-1-55783-566-6.

The film was released on DVD in 2000 for the film's 25th anniversary. A 35th anniversary edition Blu-ray was released by 20th Century Fox Home Entertainment in the US on 19 October 2010. The disc includes a newly created 7.1 surround sound mix, the original theatrical mono sound mix, and a 4K/2K image transfer from the original camera negative. In addition, new content featuring karaoke and a fan performance were included. [54] A 45th anniversary edition Blu-ray was released in September 2020 by Walt Disney Studios Home Entertainment. [55] Still in limited release in 2023, some 48 years after its premiere, it is the longest-running theatrical release in film history. In many cities, live amateur shadow-casts act out the film as it is being shown and heavily draw upon a tradition of audience participation. [9] The film is most often shown close to Halloween. Today, the film has a large international cult following and has been considered by many as one of the greatest musical films of all time. In 2005, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." Ross, Sharon Marie (23 September 2011). Beyond the Box: Television and the Internet. John Wiley & Sons. p.31. ISBN 978-1-4443-5865-0. a b Mathijs, Ernest; Mendik, Xavier (1 December 2007). The Cult Film Reader. McGraw-Hill International. p.395. ISBN 978-0-335-21923-0.Mathijs, Ernest (2011). Cult cinema an introduction. Malden, Mass: John Wiley & Sons Ltd. ISBN 978-1-4443-9642-3.

Peraino, Judith A. (30 October 2005). Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Oakland, California: University of California Press. p.234. ISBN 978-0-5209-2174-0. Lancaster, Kurt (2001). Performing the force: essays on immersion into science fiction, fantasy, and horror environments. Jefferson, NC: McFarland. ISBN 978-0-7864-0895-5. Lippy, Charles H. (2006). Faith in America: Changes, Challenges, New Directions. Westport, Connecticut: Greenwood Publishing Group. p.112. ISBN 978-0-275-98605-6. a b Zoller-Seitz, Matt (24 October 2019). "Disney Is Quietly Placing Classic Fox Movies Into Its Vault, and That's Worrying". Vulture . Retrieved 24 October 2019.

Smith, Justin (2010). Withnail and us cult films and film cults in British cinema. London: I.B. Tauris Distributed in the United States and Canada exclusively by Palgrave Macmillan. ISBN 978-0-85771-793-1.

Super Heroes" ( only present in full in the original UK release) – Brad, Janet, The Criminologist, and Chorus a b Armstrong, Richard; etal. (7 November 2007). The Rough Guide to Film. Rough Guides. p.506. ISBN 978-1-4053-8498-8. Harpole, Charles (1990). History of the American Cinema. New York: Scribner. ISBN 978-0-684-80463-7. Dika, Vera (2003). Recycled culture in contemporary art and film: the uses of nostalgia. Cambridge New York: Cambridge University Press. ISBN 978-0-521-01631-5.Batchelor, Bob (2012). Cult pop culture: how the fringe became mainstream. Santa Barbara, Calif: Praeger. ISBN 978-0-313-35780-0.