Gone with the Wind [DVD] [1939]

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AFI's 100 Years...100 Movies". American Film Institute. June 1998. Archived from the original on May 15, 2016 . Retrieved February 27, 2013. Kim, Wook (February 22, 2013). "17 Unusual Oscar Records – Longest Film (Running Time) to Win an Award: 431Minutes". Time. Archived from the original on February 27, 2013 . Retrieved March 7, 2013. Wind,' 'Winchester' Top Film Grossers In Japan". Variety. October 8, 1952. p.14 . Retrieved January 18, 2021– via Archive.org.

a b c d e f Miller, Frank; Stafford, Jeff. "Gone with the Wind (1939) – Articles". TCM database. Turner Classic Movies. Archived from the original on September 26, 2013. Olson, James Stuart (2000). Historical Dictionary of the 1950s. Greenwood Publishing Group. p. 108. ISBN 978-0-313-30619-8. Gómez-Galisteo, M. Carmen (2011). The Wind Is Never Gone: Sequels, Parodies and Rewritings of Gone with the Wind. McFarland & Company. p.173. ISBN 978-0-7864-5927-8. In 2013, a 4K digital restoration was released in the United Kingdom to coincide with Vivien Leigh's centenary. [42] In 2014, special screenings were scheduled over a two-day period at theaters across the United States to coincide with the film's 75th anniversary. [43] Television and home media [ edit ] Melanie arrives at the mansion and is led upstairs by Mammy, who tearfully relays the past few days events: Rhett refuses to talk to anyone and vengefully shot the pony after the accident. Mammy also mentions she thought Rhett might even shoot himself in his grief. Melanie manages to get Rhett to allow her into the room and allow undertakers to take away Bonnie's dead body. Melanie, overwrought with emotion, collapses and goes into labor. Upon a doctor's examination following the birth of a stillborn infant, he determines that Melanie is dying from internal bleeding. In a final meeting with Scarlett, Melanie asks her to look after Ashley. When Melanie dies, Ashley is left a broken man and he tells Scarlett that Melanie was always his true love, a devastating revelation to Scarlett, who then realizes that she never really loved Ashley and can only wish that he had been clearer about his own feelings for her. Rhett, witness to the scene, stalks off to his and Scarlett's home.Stewart, Jacqueline (June 25, 2020). "Why we can't turn away from 'Gone with the Wind' ". CNN. Archived from the original on September 2, 2020 . Retrieved September 2, 2020. Gone with the Wind". The Numbers. Nash Information Services. Archived from the original on March 26, 2014 . Retrieved February 8, 2013. MacAdams writes, "It is impossible to determine exactly how much Hecht scripted ... In the official credits filed with the Screen Writers Guild, Sidney Howard was of course awarded the sole screen credit, but four other writers were appended ... Jo Swerling for contributing to the treatment, Oliver H. P. Garrett and Barbara Keon to screenplay construction, and Hecht, to dialogue ..." [19] Filming [ edit ] The "burning" of Atlanta from the 1961 re-release film trailer The Search for Scarlett: Girls Tested for the Role of Scarlett". Gone with the Wind Online Exhibit. University of Texas at Austin: Harry Ransom Center. Archived from the original on January 5, 2014. Scarlett (1994)". Allmovie. Rovi Corporation. Archived from the original on March 4, 2014 . Retrieved March 3, 2013.

Sarris concedes that despite its artistic failings, the film does hold a mandate around the world as the "single most beloved entertainment ever produced". [93] Judith Crist observes that, kitsch aside, the film is "undoubtedly still the best and most durable piece of popular entertainment to have come off the Hollywood assembly lines", the product of a showman with "taste and intelligence". [94] Schlesinger notes that the first half of the film does have a "sweep and vigor" that aspire to its epic theme, but agreed with criticisms of the personal lives taking over in the second half, and how it ends up losing its theme in unconvincing sentimentality. [90] Kauffmann also finds interesting parallels with The Godfather, which had just replaced Gone with the Wind as the highest-grosser at the time: both were produced from "ultra-American" best-selling novels, both live within codes of honor that are romanticized, and both in essence offer cultural fabrication or revisionism. [92] Eyman, Scott (2005). Lion of Hollywood: The Life and Legend of Louis B. Mayer. Robson Books. pp. 258–259. ISBN 978-1-86105-892-8.The Gone With The Wind box-set with the iconic writing, colours and silhouette (Photo: Nicole Sherwood) Eyman, Scott (1997). The Speed of Sound: Hollywood and the Talkie Revolution, 1926–1930. Simon & Schuster. p. 253. ISBN 978-0-684-81162-8. Crist, Judith (March 1973). "Glorious Excesses". The Atlantic Monthly. Vol.231, no.3. p.67. Archived from the original on May 21, 2013 . Retrieved February 16, 2013. Tapp, Tom (June 9, 2020). "HBO Max Removes 'Gone With the Wind' From Streaming Platform, Says Film Will Return With "Discussion Of Its Historical Context" ". Deadline Hollywood. Archived from the original on June 10, 2020 . Retrieved June 10, 2020.