The Odyssey

Product Information

This strange, beautiful cruise liner of a book interweaves a biting sendup of corporate, work, and wellness culture with an astute exploration of the emotional icebergs that lie below its protagonist’s placid exterior . . . deeply unsettling and unexpectedly moving.” - Lydia Kiesling, author of The Golden State The Odyssey follows an unhinged, depressed, alcoholic Ingrid who works at the gift shop on a luxury cruise line. She’s got that classic dry british humor and is fumbling aimlessly through life until she gets tapped for a special mentorship program run by the ships ecentric captain. The program pushes Ingrid to reflect on her past mistakes while indoctrinating her into a cult like wabi-sabi way of life. From the prize-winning author of Supper Club—a debut novel that Vogue called “ Stephanie Danler’s Sweetbitter meets Donna Tartt’s The Secret History“—comes The Odyssey, a fresh twist on the epic journey and an unapologetic takedown of capitalism and “lifestyle” that will appeal to fans of Melissa Broder and Ottessa Moshfegh (Molly Young, The New York Times) One thing I was disappointed by was the fact that the cruise ship setting isn't really explored as much as you might expect, especially not as things start to turn weird and twisted. I would've liked more of it, whether the Japanese obsession of the captain or what was going on with some of the other employees Ingrid knows, as it is a distinctive and unusual setting for literary fiction.

Vivid and compulsive . . . an addictive and intriguingly dark (if not profound) take on an ancient narrative.” - The New Statesman

Customer reviews

Couldn’t stop reading . . . Original and intriguing, I’ll be digesting this one for a while.” - Laura Harvey, Copper Dog Books (MA) So, there is this brand of fiction: "I'm disenfranchised and miserable and self-destructive; and join me for awhile and then I'll reveal my inciting incident and you can empathize with me." And, I'm not not here for that. I'm not an entirely unsympathetic human and I have the occasional millennial (Though let's not pretend for a second that this gen invented the trope, okay???) self-pitying instinct, so you know, I get the brand. The only elements that I unfortunately didn't like were at times, I felt completely out of the story due to the repetitiveness of Ingrid's everyday activities. Though I am very aware that this was another commentary within the book - how we can enjoy yet equally tire from the tediousness of an average, everyday routine. People could argue then, that Lara Williams perfectly executed that within her writing, and I whole heartedly agree though at times I didn't particularly enjoy it. As well as this, the blurb mentions that the book is 'hilariously funny' but I personally thought it was everything but. There were moments throughout the story that undoubtedly made me laugh but the tone of the novel was so melancholic and so satirically ironic that no moment for me seemed hilarious.

Engrossing, ambitious, joyful as well as dark - which is so close to the bone and so necessary. I can't wait to read her next book' Emilie Pine, author of Notes to Self Set on the Microsoft campus in Washington state, Microserfs explores the feudal-like work culture at the company: the employees the novel follows are the serfs presided over by Bill Gates. It was one of the first novels to anticipate a dystopian culture in the tech industry that would soon become the norm, and one particular scene in which an employee slips “flat foods” (such as slices of processed cheese) beneath the office door of another employee, to ensure that they actually eat while working, has haunted me for 20 years. I could argue that the blurb doesn't match the style, that the book's style is inaccessible, that the ending is the only good part. But, honestly, this wasn't fun enough to be worth working harder to organize a thesis around, so I'm out.

Advance Praise

Stephanie Danler's Sweetbitter meets Donna Tartt's The Secret History in this story of female desire, friendship, lust, and, above all, hunger....This novel will alternately make you laugh, tear up, and text your group chat begging to start a wayward dining committee."—Vogue I was intrigued by this book as it was pitched as similar to JG Ballard's High Rise, which it is in some respects, with the closed off cruise ship gradually decaying, but The Odyssey is much more focused on one person's mental state than the cruise ship itself. The blurb compares the book to Ottessa Moshfegh’s, My Year of Rest and Relaxation, Sayaka Murata’s Convenience Store Woman and Sally Rooney’s novels and while it contains similar themes to all three – the dangers of capitalism, alienation and search for meaning and belonging and the descent into madness – I have never read anything like this. Reading this story is a disorienting experience, with the feel of a fever dream that becomes increasingly sobering as Ingrid nears closer and closer to her home: both on land, and within herself. It is a book that demands of the reader just as much as it rewards them with. All of the characters were so unique, interesting and flawed that I would have liked to have known a bit more about them. It felt like they floated in and out of the novel and could disappear at any time, perhaps onto land without a real explanation of why they were on the boat on the first place, why they left and where they went. And while Ingrid is British, she uses a lot of Americanisms (i.e., “apartment”, “garbage can”), which is confusing as the reader tries to piece together her character. I'm a big fan of an unreliable narrator, and in Ingrid, this is exactly what we get. Williams was effective in creating a protagonist so erratic that I felt physically uncomfortable while reading, jarred not only by the story’s events but by the whiplash of rooting for – and sympathizing with – Ingrid one moment, and then being afraid of her the next.

Ingrid is our narrator here. She works aboard the WA, a huge cruise ship that has been her whole world for several years now. She cycles through a rotation of jobs – gift shop employee, nail technician, lifeguard – and has only 2 friends, Mia and Ezra, with whom she plays disturbing and odd games. Her life and the novel itself is broken up by incidences of shore leave where she gets obliteratingly drunk and makes increasingly dangerous and unhinged decisions. On board the WA she has been chosen to be part of something referred to only as “The Program”. This is lead by an enigmatic man named Keith who encourages Ingrid to reveal the most intimate details of her past to him. This book is absolutely one that I recommend going into knowing a little as possible so this review is going to be cautious, with that in mind. The Odyssey is a story unlike one I have ever read and there were many things I adored. To create an entire setting set no where in particular is a concept that is so fascinating and Lara Williams did such an incredible job creating a vivid atmosphere with some of the most beautiful imagery. I also want to point out that this was my first ever read from Lara Williams and her storytelling is exactly what I had expected/wanted from her and more.

A Note From the Publisher

We all have that fiction trope that isn't for us. That fills us with rage. That, just, ruins everything. This is mine; this book was not for me. I didn't not enjoy the reading of most of it, but then that happened and now, if I'm honest, I'm going with: I really freaking hated this book. Discussing ones self and the extents in which we can go to to not only feel accepted, wanted and seen but to also mend and forgive our past tribulations. What I particularly loved about this theme was how as a reader it was blatantly obvious and appalling when Ingrid would do certain acts just to feel accepted and part of a group, though she never saw how horrific these requests were. It really made me contemplate in our everyday life, what we may do as individuals to feel accepted and seen even when we inherently know they're wrong; a conversation I had never read about before, but one that was done in such a unique and somber way. Things start getting weird, Ingrid’s personal and professional life falls apart and the days she gets to disembark from the ship become less exciting to her. Much like Odysseus from Homer’s The Odyssey, Ingrid is wandering at sea trying to find her way home, or more specifically, trying to find her way to herself. A Most Anticipated Book of 2022 by The Millions • A Best Book to Read in April by Town & Country and The AV Club • One of 2022’s Best Beach Reads by Southern Living It's difficult to say much about this book without veering into interpretation that gives away more than I'd have wanted to know before reading this, and I'm actually still unsure about how secure my reading of the book is. So I'll just say that this is weirdly compulsive and enigmatic and yet a bit ploddy at the same time.

Peculiarly uplifting … 1946 illustration of a scene from The Diary of a Nobody. Illustration: Culture Club/Getty Images Supper Club will speak to parts of you that you didn’t know were yearning. A thought-provoking read that will make you hungry for Roberta’s cooking and more of Williams’ insights on women at crossroads.”—Refinery29 The end of this book left a lot of questions still unanswered, which I would imagine some people would find frustrating, and while I did a little bit, it also felt fitting for the book; I didn't want to get too many answers because that's not what the rest of the book was like. A Most Anticipated Book of 2022 by The Millions * A Best Book to Read in April by Town & Country and The AV Club * One of 2022's Best Beach Reads by Southern Living This was fantastic! The Odyssey is darkly funny and thought-provoking. Although I enjoyed the premise of Supper Club, I felt like Lara Williams linged on the surface. With The Odyssey, Lara Williams commits completely, this novel feels more direct and purposeful.

Featured Reviews

From the prize-winning author of Supper Club--a debut novel that Vogue called " Stephanie Danler's Sweetbitter meets Donna Tartt's The Secret History"--comes The Odyssey, a fresh twist on the epic journey and an unapologetic takedown of capitalism and "lifestyle" that will appeal to fans of Melissa Broder and Ottessa Moshfegh (Molly Young, New York Times)