Bone Talk

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I also feel like nothing really happened for the majority of this book. There was a slight adventure at the end, and a plot twist that I wasn't expecting, but didn't really satisfy me all too much. I didn't see any message in this book, except maybe "you don't need a cut to be a man" which was kind of a rubbish message. The three American soldiers were well balanced by Mister William. Our author, Candy Gourlay, gave an unflinching account of how some soldiers could have acted in the Philippines. Demoralising the locals, using them for their own gain, but she also showed that not every person from the invading country are arrogant and cruel. In the same way, Gourlay told of the clan wars between the neighbouring villages - letting the reader experience not only racial war but tribal too. This novel creates intrigue to a forgotten war, one that is pushed aside by the big boys - WWI and WWII. The beautiful if not demanding nature of the villages that would live on their own self efficiency is a wonder. They fight, they win or lose, but beyond everything - they survive. Bone Talk is the story of Samkad, a young Bontoc boy at the cusp of manhood. His journey towards becoming one is a thrilling and heart breaking adventure since the setting of the novel happened at a time of conflict and change. It is 1899 and the Philippines has entered a war with the United States of America. His village in the Cordilleras is not spared of the cruelty of invaders. Though, the opportunity to learn from a friendly stranger presents itself. This coming of age story has a lot to tell, and teach, about identity, honor, subversion, obedience to customs and traditions and the gray areas in between.

Over a hundred years ago, a boy named Samkad lives with his tribe in the remote mountains of the Philippines. One day a new boy arrives in the village. He may call himself Samkad’s brother, but he brings news of people called Americans who are coming to ‘civilise’ them and bring war and destruction to Samkad’s home. Samkad’s story is told so sensitively, so lightly and so truthfully that you are completely transported (heart in mouth) to another time and world– until Samkad’s concerns are your concerns and you’re with him every step of the way. An examination into the Phillipine-American War that follows a small village and a budding young man, Samkad, who is waiting for the day he will become part of the men-folk.Apart from your own book, is there another book or author you would recommend to children that you’ve enjoyed recently? Don't get me wrong, there were interesting parts and the characters and intrigue were nice but the story seemed a bit messy like it was telling you lots of things without focusing on one. But maybe that's just a good reflection of real life. Sometimes things get in the way of your goals. In this case it was the Americans. A beautifully written story set in the Philippines at the time of the 1899 American invasion told by a young boy growing up in a remote tribe who encounters the outside world for the first time. Most stories from this time are told in the voice of the invaders, tourists or anthropologists. Candy Gourlay takes us into the world of the Bontok tribe and shows us their world through their eyes. The horror comes not from the death rituals of the Bontok people, or from the animal sacrifices, or from the tree of bones, but from the monstrosities carried out by the American soldiers. When the story starts, Samkad is most worried about receiving the Cut (something similar to circumcision that happens to boys in their tenth year on the cusp of manhood) and his slightly complicated friendship with a girl called Luki. He has never met anyone from the world outside of his tribe.

So, go and read the book. Find a copy. Buy or borrow! Do not miss out the wonderful discoveries and insights you can take away from the novel. Ms. Gourlay claims that Bone Talk is not history. True, but fiction can lead readers to a broader understanding of other disciplines and life lessons embedded in the material either intentionally or otherwise. In the end, I realized, that while Samkad earned his rightful place in the village, it is his father who learned a great lesson as well. This for me is the most beautiful part of the novel. But when the rhythm came to me, it was smooth sailing from there. I started reading it one chapter a day for like 2 days, then decided to read about 3 chapters each day, so that I could burn through at least as close to how long a chapter was in Frankenstein. Just so that it felt like I had immersed myself into the book in the same fashion as to how I immersed myself in the previous one. So that it feels like I'm not stretching this book out by reading it so slowly like that. Do I make sense? It makes sense to me, that logic. I dunno if it would make sense to other people. Anyway... And then, there is Luki. Irrepressible and persistent, she is Samkad's best friend. It is through her that social class and the roles of Bontoc women are presented. How she defies and disobeys them not because she is a bad girl. Luki is smart and perceptive, protective of her family and friends. She knows who she is and where she belongs. These are all evident in the dialogues she has with Samkad implying that, even girls or women, can fight for the people and the place they love. The story itself it set in three parts and follows the story of Samkad, a boy on the cusp of being initiated into manhood. The rite of passage ceremony though is brought to a halt when the old ones set a task that, ultimately, sets in motion events that change the tribe's future for all time. Together with Luki, a ferociously-willed young girl, his father and others (not wanting to give the plot away), Samkad finds his whole world changed and challenged forever. Will he have the strength and courage within to save his people and what will his people and their culture mean to him when he encounters others?I was interested in the exploration of gender in ‘Bone Talk’. Luki says that Samkad is too short and too small to be become a man and Samkad is desperate to be powerful, handsome and strong. How important is it to you in your writing to challenge gender stereotypes? And that's why the author wrote this story, so that maybe she could put a solution to the problem. And the book is her version of a solution. Gourlay has built a compellingly believable world of a people in an evocatively depicted world – in this case, it looks to me like the Cordillera’s Igorot people – on the cusp of being drawn into the state as the colonising world arrives with gusto. Samkad is an engaging narrator, excited by his changing status, keen to reach manhood and grappling with his responsibilities to his community, to his ancestors and to his friends and family. She has managed to avoid many of the Orientalist traps and myths of the ‘noble savage’ that could have tainted this and in doing so has constructed an image of Igorot life fitting for this realist genre: I look forward to reading Igorot novelists telling their own stories. In the meantime, we’ve got a well-cast young adult novel opening up a largely untold tale of the USA’s empire alongside an empathetic image of an Indigenous community still marginalised in Philippines life.

On the eve of his coming-of-age ritual, Samkad and his village find themselves on the verge of a changing world. The book gave me a variety of emotions to ponder on. Some, even extreme emotions of wishing death. Lols I think it goes with the age and my angst with the kupal na Amerikano sa mundong ibabaw. And LUKI! Luki was one of the fiercest characters in this book, yet in the end, she never got what we all wanted her to be: a warrior! Candy's first novel for primary school children, Tall Story, was nominated for the Carnegie Medal, the Waterstones Children's Book Prize, the Blue Peter Book Award and the Branford Boase Prize. Her second book, Shine, was shortlisted for the Guardian Children's Book Prize, and both novels won the Crystal Kite Prize. Other books by Candy include Bone Talk, a historical novel set in the Philippines, and picture books Is It a Mermaidand Mike Falls Up. More than a hundred years ago, a boy named Samkad thinks he knows everything about the world. He knows the mountains he lives in. He knows his people. He knows his blood enemy, the Mangili. And he wants to become a man, to be given his own shield, spear and axe to fight with. His best friend, Luki, wants all the same things – but she is a girl, and no girl has ever become a warrior.

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That being said Candy's use of language is impressive. The descriptions are beautiful and a picture is painted for you so its easy to imagine this place that feels so removed from the world we see around us now. I’m glad you enjoyed it! Bone Talk is totally different, set in a real place at a real time. But my heroes struggle with the same issues: identity, culture clash and coming of age. Buy here! Candy Gourlay tells this brilliant adventure story from the point of view of a young Filipino boy from a time and place that most readers will know nothing about– and certainly from a previously unheard voice (most of what is written about the time is by Americans writing as tourists, anthropologists and conquerors). Candy is an ardent member of the international "kid-lit" organisation, the Society of Children’s Book Writers and Illustrators (SCBWI). She is currently serving on the Children’s Writers’ and Illustrators’ Group of the Society of Authors. She lives in London with her family, where she wages war on the snails in her garden. When I started writing I wanted to publish picture books. I only started writing novels because it was so hard to break into the picture book world. Is It a Mermaid is a dream come true. Picture books in the UK are published with an eye to the 0 to three year old reader, and publishers make money through translations in other markets … this means many interesting challenges to the storytelling and the story itself. Writing for specific markets, you have to consider so many things as an artist – not just theme and story shape but the emotional capacity of your reader. You also have to take into account that your reader has no experience, no hindsight. This, I think, is what differentiates the young reader from an adult reader.