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Blackmagic Pocket Cinema Camera

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As a workaround, you can shoot in a Super 16mm (equivalent) crop mode on an Arri or RED camera, but that just solves the aesthetic issue. The other consideration is practicality. We know, we know, when you’re shooting video, a true professional never uses continuous autofocus. But, we’re not true professional videographers, we’re video journalists and on some occasions, needs must. High quality viewfinder with built in proximity sensor, 4element glass diopter, built in status information, and adigital focus chart. Input/Output: 1/8” (3.5mm) stereo audio input; Micro HDMI Type D Output; 1/8" (3.5mm) stereo headphone output; 2.5mm LANC for remote Rec Start/Stop, Iris Control and Focus Control: USB 2.0 Mini-B port for software updates and configuration

Blackmagic Design Pocket Cinema Camera Review - Videomaker

This is a double edged sword - on the one hand, it perfectly matches the limits video places on exposure control by contrast to photography. On the other, it means you really need to know your camera to get the most out of it. hi there – working on my own indy – due to low/non existant budget i had to do the homework – bolex was a dream… I just wish I bought it for my own when had chance:( – nevertheless – my use and reasons:I currently shoot 16mm film pretty exclusively (I direct music videos). I’m interested in giving the og bmpcc a try but can’t find any good raw footage to test grades on. Are you able to upload a few minutes of footage? Reply Finally, and most importantly, the fundamental quality of its 4K video takes on much pricier cameras and, when you know how to work it, handles noise better than some full frame sensors too, thanks to its the dual native ISOs. The 82mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera isnot inuse. Iris Control: Automatically adjusts the lens iris settings so no pixel is clipped (active lenses only) As we set up each shot, we were floored by how much better of an experience it was just by having a few more tools at our disposal. The larger field monitor made framing and focusing much easier, as did the adjustable mount that allowed us to set the monitor at any angle. The variable ND filters together with the zebra stripes made adjusting exposure a snap and the zoom lens allowed us greater flexibility in tripod placement and framing. A task which was daunting only a few days earlier, had now become fun and exciting!

Blackmagic Pocket Cinema Camera | Blackmagic Design

The Camera has a 5" 800x480 LCD touchscreen display and dedicated buttons that can play and pause, stop, skip, focus and record media, access the menu and to power on the device. It can record raw, CinemaDNG, Apple ProRes and Avid DNxHD onto 2.5K and 1080p resolutions, as well as lossless 2.5K raw, in 23.98, 24, 25, 29.97 and 30 fps. But as every filmmaker knows, sometimes it happens to get a gig with short notice so you don’t have the time to rent the gear. This article needs to be updated. The reason given is: New models. Please help update this article to reflect recent events or newly available information. ( October 2021) Not to mention, the reduced sensor size allows the camera’s body to remain significantly smaller – likely due to the decreased risk of overheating – which is key consideration too.I was shooting Fomapan R100, having it processed, and self scanning with a diy setup using a Nikon D5200. It really feels like there is a demand out there, and if any camera manufacturers are reading this – I would urge you to consider the possibility. Have you seen the Ikonoskop A-cam DII ? That is what you are looking for. With a global shutter too. I’m curious about your opinion on the xt3, as I recently read about it and thought it seemed really appealing on paper. What didn’t you like about it? I totally get what you say about how the “feeling” you get with a product and the results can be different than what pure specs would imply. The result is what you’d think, complete with 8 bit artifacting, banding etc, but it told the story.

Blackmagic Cinema Camera - Wikipedia

bmpcc 4k – night shots (that can’t be shot during the day and graded to night), slowmo (for the reasons I can’t comprehend) Good message especially when I find myself on the verge of purchasing a 8k large format camera 🎥! You did forget to mention possibly the greatest yet strangest super 16 digital cinema camera the Ikonoskop A-Cam which I once had but sold for more supported options. ReplyMost advanced digital film camera features 6K sensor with EFlens mount, built in motorized NDfilters at 0, 2, 4 and 6stops, tilt adjustable 1500 nit LCD and alarger battery. Supports optionalEVF. The 77mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera isnot inuse. Currently, I have a feature film in development that I aim to shoot on Super 16mm motion picture film. This is something I’ve wanted to do for a long time, but haven’t really been able to pull the trigger until now. We found when we relied on the display exclusively when setting exposure, we had a tendency to overexpose slightly, so if you’re anything like us, underexposing by half a stop should save your highlights. With 4K CinemaDNG RAW recording at 272 MB/s and ProRes 422HQ recording at 117.88MB/s, you will want a lot of storage media, even for short projects. Getting specific, a 256GB card will capture 14 minutes of 30fps raw footage. DaVinci Resolve

Blackmagic Design Pocket Cinema Camera 4K Memory Card Slot

The key noticeable difference in our experience was that the RAW video we captured was better at managing the highlights than ProRes, so we ended up exposing down a bit more than we usually would. I’m just in the process of rigging up an OG BMPCC, after finishing a series of kids shorts on Reg / Double Super 8. Would love to know what a pro like yourself thinks if you get a chance to watch it! https://youtu.be/SBwje8EDl84 ReplyThe value for money this film camera delivers is unrivalled. Despite not articulating, the huge 16:9 screen puts it head and shoulders above other MFT shooters from a video-centric operational point of view. The range of connections on-board is also class-leading, and the fact there’s a dual card slot trumps much pricier cameras like the EOS R. Also, Angelbird makes cards for BMPCC OG and Micro they guarantee will work. Not cheap, but work great. Reply The film will require some run and gun insert shots that will be filmed guerrilla style on location. For many of these shots, it won’t be practical (or even possible) to shoot with my Arri SRII, so I’ll likely need to supplement the production with some digital footage. At the base is a slightly flimsy battery door which is removable so the potential for third party battery grips is a reality, while to the left you’ve got a dual card slot which feels a bit more sturdy. The camera takes SD and CFast cards, with the CFast cards required for the highest quality raw 4K video.

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