The Endless Coloured Ways: The Songs of Nick Drake

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Exclusive editions of key new releases as well as selectively chosen classics and archival releases It doesn’t all work. Some of the lyricism is a little strained, stumbling on its way to Old Testament resonance: “in the valley of the cave/ all that glitters ain’t what it seems.” And perhaps it’s simply over-exposure, but their calling-card singles, Love and Hate in a Different Time and Glory – which so lit up that Glastonbury performance – sound samey in this context. Vinyl is marketed and mentioned on OBI strip as "Buff" - it is more gray and dark brown colored than traditional buff - tan color. Vinyl is translucent.

Still, Gabriels are making thunderous, thoughtful music with commercial snap. They’re clearly hungry for success – and thoroughly deserve it. Big things await. “Mama, don’t you cry,” sings Lusk on Mama. “Everything’s going to be alright.” Swaddled in Gabriels’ glorious sound, you can’t help but agree: yes, yes, it is. Alex Diggins Exploring folk culture, folk music, folk arts, rituals and events, and how these living traditions continue today. Perhaps the most surprising version on The Endless Coloured Ways is Emeli Sandé’s ‘One of These Things First’. This is what a cover version should be like; it is respectful without being reverential, it is stamped with personality rather than borrowing someone else’s, it allows a little sliver of the new to peek through the familiar. Sandé’s voice is glorious, church-like and soulful, a swirl of organ and a faintly funky 4/4 beat lifting Drake from the hedgerows and sun-dappled fields and sending him heavenwards. The Telegraph values your comments but kindly requests all posts are on topic, constructive and respectful. Please review our Let’s Eat Grandma (Rosa Walton and Jenny Hollingworth) transform From the Morning. Photograph: Lorne Thomson/RedfernsDorelli has a theory regarding why people are increasingly drawn to Drake’s music. “I see my daughters talking about mental health a lot, and there’s a lot of discussion around that on social media,” he says. “I think he taps into that and does it in a way that’s strangely uplifting … it gives you a bit of relief to know that somebody else is going through the same thing.” A big man in an immaculate tux, Lusk’s falsetto floated above a whirling violin and full Gospel choir. Their sound had lush, Biblical depth, but with a funky, danceable groove: it was music to send you to your knees – then get you skanking with abandon. It hit the sleepy audience like the rapture; suddenly, Worthy Farm became a Midwestern Revivalist’s marquee, jitterbugging to an otherworldly rhythm. You half expected to see a young Elvis in the corner, jelly-legged with inspiration.

D5: Vocals recorded by Oli Deakin & additional engineering by Iggy B at Bella Union Studios, Strongrooms, London Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge.Now Gabriels – who take their name from a street in Sunderland, where Hope grew up – have released a two-part debut record, Angels & Queens. The first volume dropped in September last year; together, the 13-part record confirms the promise of that miraculous Glastonbury introduction. The Gabriels’ many celebrity admirers include Elton John, this year’s headliner, who declared their single Love and Hate to be “probably one of the most seminal records I’ve heard in the last 10 years”, and brought out Lusk as one of his special guests. Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices. Welcome, then, to PJ Harvey’s first album in seven years, a wholly original, often baffling, regularly terrifying and frequently gorgeous set of 12 songs. The only artist to have won the Mercury Prize twice (for 2001’s Stories from the City, Stories from the Sea and 2011’s Let England Shake), Dorset-born Harvey is one of Britain’s most intriguing and inventive musicians. However when she finished touring her last album (2016’s The Hope Six Demolition Project, a “big theme” record that dealt with politics and foreign policy), Harvey admitted to feeling lost, disconnected from music and therefore “heartbroken”. She considered quitting. But her muse returned. I Inside the Old Year Dying is the result. Far from “big theme”, it’s intimate and rootsy. Goods that are faulty or sent in error must be returned to Crash Records Limited, 35 The Headrow, Leeds, LS1 6PU within 7 working days of the item being received by the customer.