Daisuke Tajima - Beyond the Lines

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As a young law graduate in Sialkot (now in Pakistan), Kuldip Nayar witnessed at first hand the collapse of trust between Hindus and Muslims who were living together for generations, and like multitude of population he was forced to migrate to Delhi across the blood-stained plains of Punjab. From his perilous journey to a new country and to his first job as a young journalist in an Urdu daily, Nayar’s account is also the story of India. From his days as a young journalist in Anjam to heading India’s foremost news agency, UNI and from mainstream journalism to starting his now immensely popular syndicated column, ‘Between the Lines’, Nayar has always stood for the freedom of press and journalism of courage. Widely respected for his columns, his autobiography opens on the day Pakistan Resolution was passed in Lahore in 1940 and takes us on a journey through India’s story of a nation working on its foreign policy, development plans, relations with neighbouring countries, and dealing with coalition politics among others. From events of historical and political relevance like Tashkent Declaration and the 1971 war and the liberation of Bangladesh, to interviewing Zulfikar Ali Bhutto and Mujibur Rahman and from meeting Pakistan’s father of nuclear bomb, Dr A.Q. Khan, to his close association with Lal Bahadur Shastri and Jayaprakash Narayan, Nayar’s narrative is a detailed inside view of our nation’s past and present. Beyond the Lines: An Autobiography by Kuldip Nayar – eBook Details There are more animals than people here where I live,” artist Daisuke Tajima says when we meet online, attempting to hammer home how remote his studio is in the far reaches of Nara Prefecture. Tsakiris M., Carpenter L., James D., Fotopoulou A. (2010). Hands only illusion: multisensory integration elicits sense of ownership for body parts but not for non-corporeal objects. Exp. Brain Res. 204, 343–352. 10.1007/s00221-009-2039-3 [ PubMed] [ CrossRef] [ Google Scholar] He seems at peace with the fact that he rarely meets new people in person. Even when setting up his exhibitions, he’s only there for a few days. This was the case for his latest exhibition, “Beyond the Lines,” at the Roppongi Hills A/D Gallery in September 2022, which doubled as the launch of his art book of the same title. Banks G., Short P., Martinez J., Latchaw R., Ratcliff G., Boller F. (1989). The alien hand syndrome. Clinical and postmortem findings. Arch. Neurol. 46, 456–459. 10.1001/archneur.1989.00520400116030 [ PubMed] [ CrossRef] [ Google Scholar]

Fine Art - January 2023 | PDF - Scribd

The artwork he is currently working on measures 5 meters by 4 meters, a size Tajima considers small, wishing he could go bigger. “If you think about it, cities are much, much bigger than these panels, so I am actually making them small,” he points out.PDF / EPUB File Name: Beyond_the_Lines__An_Autobiography_-_Kuldip_Nayar.pdf, Beyond_the_Lines__An_Autobiography_-_Kuldip_Nayar.epub

DAISUKE TAJIMA BEYOND THE LINES | paddysbooks 超越界限 DAISUKE TAJIMA BEYOND THE LINES | paddysbooks

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Beyond the Lines | 青幻舎 SEIGENSHA Art Publishing, Inc.

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Another world that Tajima frequently inhabits is the digital one, where we meet for the interview. He had graciously invited me to visit him in Nara, but he expected that I wouldn’t be able to go. Snijders H. J., Holmes N. P., Spence C. (2007). Direction-dependent integration of vision and proprioception in reaching under the influence of the mirror illusion. Neuropsychologia 45, 496–505. 10.1016/j.neuropsychologia.2006.01.003 [ PMC free article] [ PubMed] [ CrossRef] [ Google Scholar] Seno T., Yamada Y., Palmisano S. (2012). Directionless vection: a new illusory self-motion perception. Iperception 3, 775–777. 10.1068/i0518sas [ PMC free article] [ PubMed] [ CrossRef] [ Google Scholar] Kawabe T., Roseboom W., Nishida S. (2013). The sense of agency is action-effect causality perception based on cross-modal grouping. Proc. R. Soc. B Biol. Sci. 280, 20130991. 10.1098/rspb.2013.0991 [ PMC free article] [ PubMed] [ CrossRef] [ Google Scholar] Tajima shares a fascination with Asian cities beyond Tokyo with one of his idols, Mamoru Oshii, the director of Ghost in the Shell. He was slightly surprised, however, at the exact overlap when I shared a quote from Oshii published in Kodansha’s Young Magazine in 1995: “When I was in search of an image of the future, the first thing that came to my mind was an Asian city.” Oshii was referring to Hong Kong and how he modeled the future cyberpunk city in Ghost in the Shell after it.